Since there is likely no one reading this who doesn't already know who Spider-Man is, I won't bore you with a plot recap of the trilogy. This was so much the case that, when Spider-Man ultimately went on to gross nearly a billion dollars worldwide, it didn't seem like a cynical victory of marketing over substance but instead a triumph of genuinely earnest, populist moviemaking. Even more importantly, Raimi clearly had a passion for the character that transcended the obviously engineered, audience-pleasing elements of what was clearly meant to be a "franchise starter" of a picture. The first film was the perfect commercial marriage between a piece of iconic, classic comic book pulp and a filmmaker with a wholly unique visual sensibility tailor-made for the material. Arriving on the scene in 1981 with his classic cult-horror film The Evil Dead, over the course of the next twenty years Raimi continued to hone his craft as a filmmaker to the point where by the time he landed 2002's Spider-Man, he wasn't just a cult director who got lucky, but rather an accomplished filmmaker who at last found the project he'd been preparing to make all along. Much of the credit for the success of the films belongs, of course, to Sam Raimi. That makes all three Spider-Man films feel less like a bunch of strung-together episodes, and more like one cohesive, six-odd-hour motion picture with three well-designed and perfectly-proportioned acts.
And even the supporting characters and subplots have been constructed with care and attention to an eventual trilogy in mind. It's always Tobey Maguire in the Spidey costume.
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Instead of a series of patchwork sequels featuring a bunch of different guys in a Batsuit, guided by a bunch of different directors (each with seemingly contradictory visions), with Spider-Man, much of the creative team has been on board since day one.
Maybe that's why I find a franchise like Spider-Man more compelling than, say, those old Batman films of the late '80s and early '90s. Likewise, the behind-the-scenes talent is also often in it for the long haul, giving many of today's biggest franchises a unified consistency of tone, approach and performance that's quite unique to recent cinema.
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That means that the guy you fell in love with playing Spider-Man in the first movie is almost certain to be the same guy you'll see in Part III.
Norman Osborn is back and his troubled past will haunt him and Peter Parker.If there's one good thing to come out of Hollywood's love affair with film franchises, it's that now, even before a movie proves itself to be a blockbuster, usually the cast and filmmakers have already been contractually locked in for later sequels. Just as his reign of terror begins to riot, the Green Goblin returns! Thanks to Kindred, Sin-Eater became more powerful after being resurrected. Nick Spencer and a group of legendary creators celebrate 850 issues of Amazing Spider-Man, taking webcasting further than ever!
Source: CBR Green Goblin returns to SMASH and Marvel Comics Mexico It may interest you: Would you hate or love the return of Topher Grace as Venom? In the director’s cut, after Peter leaves the Osborn residence, Harry takes a picture of him, Peter and Mary Jane, where the three of them have a good time, something that makes Harry break down in tears and change his decision to help Peter. In the edition that reached theaters, after the kidnapping of Mary Jane at the hands of Sandman and Venom, Peter goes to Harry’s house to ask for help, to which his friend refuses, but a talk with his butler gives him makes you change your mind. While Penny is in a park in New York, Sandman appears in the form of a sand castle, to which the little girl goes, who places her hands on the castle, before her mother takes her away. Read: Dexter returns to please fans of the series Sandman and Penny’s emotional momentĪfter Flint Marko is defeated by Spider-Man, who is already wearing the alien suit, Sandman stars in an emotional scene where the villain visits his daughter Penny, who is sad since her father has not visited her.